Stereo analysis of a mix
- Input
- mixdown_stereo.wav
- Expected output
- mixdown_side.wav (apenas conteúdo diferencial)
If the Side channel is very low in volume, the mix is essentially mono. If very loud, there is aggressive stereo content.
extract mid side channel audio
Mid-Side (MS) encoding decomposes a stereo signal into two orthogonal components: Mid (M = (L+R)/2), which contains what is common to both channels, and Side (S = (L-R)/2), which contains only the content unique to each channel. This decomposition is widely used in mastering to control stereo width independently from the center.
If the Side channel is very low in volume, the mix is essentially mono. If very loud, there is aggressive stereo content.
Use the result as technical or educational support, keeping the tool limits explicit in the workflow.
Average mixdown sums L and R and divides by 2, which preserves centered content (vocals, kick) but can cause phase cancellation in content recorded in opposite phase. The L and R modes simply discard one channel — useful when only one channel has valid content or to guarantee no cancellation occurs.
Yes. Songs with little stereo content (voiceovers, centered studio recordings) will have a very quiet Side channel. Songs with heavy reverb, wide-stereo synthesizers, or panning effects will have a louder Side channel.
No. It helps explain the scenario and use the tool more safely, but real decisions should consider official sources, full context and qualified guidance when needed.